larger smaller reset

GALLERY

  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery
  • Young Audiences Scotland Gallery

THE COMPANIES

Links
Welcome to the Young Audiences Scotland Links page where you can learn more about the wealth and range of companies and festivals producing and programming theatre, puppetry, animation and dance for children and young people across Scotland.

To find out more about the companies featured below, just click on their logos to visit their own websites.

puppet_animation_logo.jpg
Puppet Animation Scotland is dedicated to the advocacy for, development and celebration of the art forms of puppetry and animation in Scotland. Puppet Animation Scotland host two annual festivals - a national festival of puppetry and animation specifically for children around Easter time and a visual theatre festival called manipulate which takes place in January.

Now a Young Audiences Scotland partner, The Puppet Animation Festival is the UK's oldest and largest annual performing arts event for children and young people. From its origins as a week of 12 shows during the Easter holidays at the Netherbow in Edinburgh in 1984 the Festival now lasts for over a month presenting more than 250 performances workshops and films throughout Scotland, provided by leading companies from the UK Europe and the rest of the world.

Each year more than 16,000 children young people and their families enjoy events in their programme.

Click on their logo to visit their website.
cinderella 198.jpg
Shona Reppe Puppets is based in Fife, Scotland and since 1997 has been dedicated to creating highly visual and accessible small-scale puppet productions for children and their families.

Shona Reppe is the Associate Artist for ATTFife and is supported by the SAC, Catherine Wheels Theatre Co and Puppet Animation Scotland.

Click on the logo to visit the website.
the_puppet_lab_logo.jpg
The Puppet Lab aims to inspire and educate people of all ages through contact with the arts.

Puppetry is an inclusive art form that engages with its audience on a multiplicity of levels. A strong and healthy puppetry sector is a simple and effective way of getting people involved in creativity and performance.

The diverse work of the Puppet Lab takes place anywhere, from site specific theatre in building sites to small community centres and schools. The Puppet Lab tours performances and create events that engage the imaginations of their audiences.

The Puppet Lab constantly experiments with different performance techniques and engage with new artists, writers and designers to create work for Scottish and International touring productions.

Click on the logo to visit their website.
rwlogorgb.jpg Reeling & Writhing creates theatre that exercises text and ingenuity, employs music as much as a physical dynamic and finds and embraces human complexity.

Productions are often accompanied by comprehensive education and community projects, to allow access, and to encourage people of all ages, colours and sizes to benefit from all that the arts can offer. Reeling & Writhing is a Glasgow based company founded by joint artistic directors Katherine Morley and Tim Nunn.

Click on their logo to the left to visit Reeling and Writhing's website.

‘brilliant, ground-breaking theatre’ ‘makes you feel the earth move a little under your feet’ Joyce MacMillan, The Scotsman (Standing Wave)
 starcatchers_pinkblue.jpg Starcatchers is a project funded by Scottish Arts Council National Lottery Inspire Fund to develop performing arts for babies and young children aged 0-4 in Scotland, and is part of Imaginate. Starcatchers is also a partner of the Young Audiences Scotland project.

The Starcatchers project will:

Develop four new artist residencies in venues in Glasgow and Fife

Create at least four new performances for babies and toddlers Provide training opportunities for artists

Develop a pilot model of training for childcare practitioners and parents

Develop venue staff training

Continue to use action research as a tool to inform and respond to the project and the audience

Create a national network of organisations and individuals engaging with the 0-4 age group

A new website for the project is in development and will be launched at the end of June.

The productions already created by Starcatchers are:

Little Light – created by Andy Manley & Vanessa Rigg with design by Brian Hartley and music by Stephen Deazley

My House – created by Andy Manley with design by Claire Halleran and music by Danny Krass

Peep – created by Heather Fulton, Katy Wilson, Greg Sinclair, Ximena Vengoechea and Ros Sydney

Archaeology – created by Andy Manley & Rosie Gibson in association with Starcatchers

We Dance, wee groove – Brian Hartley in association with Starcatchers

Some of this work is available to tour. For more information, please contact Rhona Matheson at Imaginate on 0131 225 8050 or email This e-mail address is being protected from spam bots, you need JavaScript enabled to view it

Click on the the logo to the left for more details.
chordelia_logo.jpg Company Chordelia was formed in April 2002 by choreographer and Artistic Director, Kally Lloyd-Jones. The company creates, produces and tours performance work as well as evolving projects and teaching in the education and community sectors.

Chordelia aims to produce high calibre performance work which is truly accessible to a general, as well as an established dance audience.

It creates theatrical dance work using humour and a wide range of dance and theatre styles and music. Another of its aims is to attract new people to dance.

Click on their logo to visit Company Chordelia's website.
man_who_planted trees.jpg Edinburgh-based Puppet State Theatre Company has a busy touring schedule with the enchanting show The Man Who Planted Trees which premiered in summer 2006 and has been on the road ever since.  With a growing team to support the performances, the company benefits from a lively collaborative ethos. Puppet State's roots for twenty years were in writer and puppeteer Richard Medrington's acclaimed one-man shows. In 2006 Richard joined forces with accomplished puppeteers Rick Conte and Ailie Cohen. Barney Strachan built the current show's soundscape and, with Elspeth Murray, is part of the company's skilled technical team. Jennifer Williams brings administrative ease and Rhona Matheson schedules in such a way as to keep the company on its toes and yet still sane.

Click on The Man Who Planted Trees image to visit their website.

2004 Gospel Truth for Cats and Dogs
"Medrington's absolute ability to captivate makes this a wholly agreeable 70 minutes. Tender and refreshing.' Scotsman "

2003 The Interrogation
"One of the few solo shows that I've seen at this year's Fringe in which something feels at stake. Keeps its nerve until the end and leaves us broken." Scotsman

1995-2000 AA Milne's Winnie the Pooh
"He really brings Winnie the Pooh, Piglet, Eeyore and Wol to life, spellbinding the children and charming their parents." The Stage

1984-2006 Ivan the Slug
The long-lived, mean-spirited anti-hero whose 30 minute video Ivan the Slug and the New Europe was commissioned by the European Commission in 2003.

 
Supported by The National Lottery through the Scottish Arts CouncilScottish Arts Council
Copyright 2007 Young Audiences Scotland